Sometimes the artistic influence on a piece of work is deliberate. There is a lot to be learnt from trying to emulate the look of another artist without directly copying. This was the case with ‘Shalimar’ below, where I was channelling Richard Diebenkorn and his Ocean Park paintings. (Not in the shop yet, but will be soon. Contact me if you are interested before then.)

Shalimar - monotype print in blues and greys in style of Richard Diebenkorn.
Shalimar – monotype print made with acrylic on paper

Sometimes, though, the influence is accidental. You looked, perhaps, at the other artist’s work years ago. Then as you work, something in front of you triggers the memory, and it becomes embedded in what you make. I think that’s what has happened here with ‘Mercury Beach’. I was framing a batch of prints for upcoming shows, (watch this space for more news on that and where to see them). Suddenly I saw Barbara Rae. Not the subject matter, but the intense colours and the ribbon like horizontal marks. Incidentally, when framing it, I decided it looked better inverted. The version below is upside down compared to the version in the shop. I think it was that change of perspective that made me see the artistic influence coming through.

Imaginary landscape abstract monotype print
Mercury Beach – abstract monotype print

Of course, I may be deluding myself, but getting even part way towards the work of someone like Rae is not bad in my view.