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Life in Lockdown continued…

Since my last post, I’ve continued to work on monotypes. The count has now reached over 40 prints and I’m actively looking for a venue to show them, although framing costs would be a bit daunting! I’ve learned a lot from making them which I think will be useful in my other print work.

I’m going to add lower resolution versions to my Portfolio page but I’ve also added one to this post. Almost all of them are 30cm (12 in) on a side. I’m waiting for a new plate which will allow much larger prints, up to 20″ x 16″. It’s US made hence the measurements in inches – 76 x 41 cm approximately or just under A2.

Forbert - monotype acrylic on paper in reds blue and yellow green
Forbert Monotype Acrylic on paper 30cm x 30cm

A set of my smaller prints, in the ‘Cross’ series, are going to be used locally in a Stations of the Cross installation. This wasn’t a sale as such. One of my neighbours is the Church Warden and although I’m in no way a religious person, I was happy to make the donation. The church is a significant part of the view from my windows. I would be willing to take on a similar commission, so if anyone out there is interested, please get in touch.

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Still here…

At the edge of the known universe - gel print
At the edge of the known universe – gel print

Health issues again have prevented me from doing much work. Nothing life threatening, but chronic nagging issues really drain your enthusiasm! In particular I haven’t been able to stand at the press very much. As an experiment I’ve been trying gel printing.

If you are not sure what that is have a look on YouTube where there are lots of ‘how to’ videos. If you want to avoid 45 minutes of umms and ahhs, look for videos by Ruth Alice Kosnik, Jane Davies and Gerda Lipski. There are also many examples from the main manufacturers of these plates, Gel Press and Gelli Arts. He doesn’t have many up yet, but this video from Canadian artist Bob Pennycook is also worth a look for his ingenious jig to enable precise registration.

[youtube https://www.youtube.com/watch?v=jNQgxzHF6mU?rel=0&w=560&h=315]
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New print series

I recently realised that purely by chance I have in 2014 and 2015 made two series of tiny prints. In both cases they came about as a way to get back into making some work after illness. Looking back at the work produced it seems though, that they also have some merit in their own right, not just as occupational therapy. I’ve decided therefore to make a 2016 series.

tiny 2014 #3
Tiny 2014 #3

The mainly ochre & blue print above is from 2014. It came about by chance. I used to clean up my palette after painting in acrylics by pressing a sheet of paper across it. I liked the effects so started using watercolour paper. Some years later, turning up these sheets I decided to cut them up into smaller squares with the idea of rearranging them squares into a mosaic collage. However my cutting up wasn’t very precise so that didn’t work and I was left with lots of poorly cut squares. About then I was taking a stand at an Art Boot Sale and wanted to boost my stock with some affordable items and decided to use these pieces. I ordered some 6″ x 6″ mounts with a square aperture about 2″ x 2″ (from Cotswold Mounts – highly recommended) and quickly created about 30 tiny prints. These proved very successful on the day and I sold almost half of those I had taken with me.

As an aside, when writing this post, I realised that another influence had been sitting in front of me for a few years. This is a tiny painting I acquired from artist Leslie Avon Miller back in 2009.

leslie ann miller
Meme by Leslie Avon Miller

Moving on to 2015, I acquired a set of samples of mountboard, which I had no use for, since it is very rare that I use a mount colour other than an off-white. Taking inspiration from the images below, I used these small squares of card to create collagraph plates.

The prints above were an experiment in capturing some of the feel of the painter’s brush stroke in a print. I only made four, (I really should get back to them sometime) but with them in mind about 30 small square plates. I made some monochrome proofs on a single sheet, then set about printing. I used the plates singly and in combination, although I soon found that more than two plates usually created a mess.

mono proofs tiny 2015
Monochrome proofs

tiny 2015 #8
Tiny 2015 #8

tiny 2015 #6
Tiny 2015 #6

You can see all the prints in the two series currently in my Etsy shop here:

Tiny 2014 series

Tiny 2015 series

At the time of writing, there are still more to add in both series.

So, what about 2016? I haven’t finally decided yet, but have two options I’m considering. Option one (provisional title Geometries) is a set of small plates I’ve made (about A7 in size) to be printed on Khadi paper.  Option two (provisional title Serendipity) will take a different approach and will involve printing on business card size sheets, also from khadi, but using plates larger than the paper so printing right to the edge. I’m leaning to the latter since I am thinking of these series of tiny prints as a way to experiment rather than just to produce inexpensive pieces.

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Lattice – drypoint on prepared paper.

Lattice - Mixed media monotype inspired by Paul Klee
Lattice – Mixed media monotype inspored by Paul Klee

I have already posted the ‘basic’ version of this, (here) which is available in an edition of five. This is a one-off experiment in printing over prepared paper, in this case washes of acrylic paint plus some acrylic ink. I suppose this makes it a monotype – or perhaps it is mixed media?