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Moving forward

I’m always scanning through the pile of unfinished pieces in my studio. Once enough time has passed from me to forget how they were made, they become objects in their own right. Moving forward by reviewing old work and thinking about the next steps becomes much easier. Looking at the work of others, as I have been doing over the past couple of days with John Hoyland for example, is often enough to shake your mind free. The image below is an example of such a review.

Pictogram - gel print
Pictogram – monotype print 30 cm x 30 cm

Less regularly, I review the pile of finished but unframed prints. When I do this, I typically change my mind about some of them. The last time I did this, I removed about 10% as no longer being acceptable quality. Some of these may benefit from additional work, and others may have elements that can be salvaged to make smaller pieces. Many of the Tiny series were made that way.

tiny collagraph print
Tiny collagraph print

I’m aiming to get back in the studio next week, probably starting some new prints from scratch, although for some reason, I’m getting the urge to paint and create some really heavy textures. Time to dig out the Polyfilla?

2 thoughts on “Moving forward

  1. […] last post, about using periodic reviews of old work as a mechanism for moving forward artistically, made me […]

  2. […] would take quite the same view, for example, of the random marks I was talking about in this earlier post. Would he celebrate the accident that created them, or remove them as distractions? I’m not […]

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