Galileo’s Legacy is an abstract monotype print. The title comes I think from the resemblance of the circular shapes on the right to images of the moon through a telescope – to my eye anyway. Galileo Galilei was probably the father of much of what we think of as modern physics and astronomy. Otherwise, it is one of several such prints in this series which are not specifically geometric art but which are at least in part assemblages of regular shapes.
The print was made by gel printing with acrylic paints on paper and is about 30 cm square. It is unmounted and unframed, although if you wish I can mount it on a cradled wooden panel, with black painted edges ready to hang on your wall.
During lockdown, I have made large series of similar colourful abstract monotype prints. They represent a new direction for my work, one I intend to continue to explore for a good while yet.
What is a gel print?
Monotype prints in general are made by drawing or painting on a smooth, non-absorbent surface. This surface, sometimes called the matrix, was historically a copper etching plate. In contemporary work other materials are often used, such as acrylic sheet. The image on the matrix is then transferred onto a sheet of paper by pressing the two together. This usually requires a print press. Monotypes can also be created by inking an entire surface and then, using brushes or rags, removing ink to create light areas in a field of opaque colour. This is then pressed together with a sheet of paper to make the print.
The specific process I used for this print was gel printing (or Gelli but this is a trademark). The matrix in this case is a soft synthetic gel. I apply the paint to the gel sheet with rollers or brushes. The area to which the paint is applied can be controlled by masks and stencils. The rolled out paints can also be drawn into or textured in various ways. This process is repeated until I’m happy with the image.
Some of my prints made this way have over 20 separate full or partial layers. This gives subtle variations in colour and a tangible physical texture. The nature of the process allows for intense bright colours and this colourful abstract monotype print is no exception. Using stencils and masks can give a geometric feel to them as here, but I do not think of this as similar images as being geometric art per se.
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